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喜歡看書嗎？也喜歡買書嗎？但是常常把書看完一遍就沒時間再看第二遍了。這種情況一定很常發生在你我身上，突然到了某一天，看到了
滿出來的書櫃，才覺得有那麼多的書籍都躺在那邊無人問津，真的是好可惜喔。想當初我可是花了一筆一筆的MOENY把它們買回家，重點是，還有
很多都是才剛出來的新書，也不便宜呢！想想感覺好像又有點浪費。 所以近幾年來，我買書的習慣變了，我喜歡上一個賣二手書的網路書店-TAZZE。
除了二手書的價格便宜了不少，重點是他還提供給我們賣二手書的平台，讓我的書櫃裡的書可以找到去處，也可以再回收一些錢回來。感覺也不錯。
最近我在找一本書， A Critical History of New Music in China ，習慣性在TAZZE找找看 A Critical History of New Music in China 有沒有賣，還真的給我找到了 A Critical History of New Music in China 。看起來滿新的，價格
也真的粉便宜。對 A Critical History of New Music in China 有興趣的朋友，也提供 A Critical History of New Music in China 的網頁給大家參考一下。
A Critical History of New Music in China
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商品訊息功能:
商品訊息描述:
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作者：
LIU CHING-CHIH
出版社：
香港中文大學出版社
出版日期：2010-09-06
ISBN/ISSN：9629963604
裝訂方式：平裝
頁數：911頁
商品訊息簡述:
By the end of the nineteenth century, after a long period during which the weakness of China became ever more obvious, intellectuals began to go abroad for new ideas. What emerged was a musical genre that Liu Ching-chih terms 'New Music.' With no direct ties to traditional Chinese music, New Music reflects the compositional techniques and musical idioms of eighteenth-, nineteenth- and early twentieth–century European styles. Liu traces the genesis and development of New Music throughout the twentieth century, deftly examining the cultural, social, and political forces that shaped New Music and its uses by politicians and the government.
作者簡介：
Liu Ching-chih, PhD, FCIL, Hon MCIL, LRSM, AMusTCL, is currently visiting professor of the Department of Music Education at the Shanghai Conservatory of Music, honourary research fellow of the Hong Kong Institute for the Humanities and Social Sciences (incorporating the Centre of Asian Studies), honourary fellow of the Research Institute of Music of the China Academy of Art and honourary fellow of the Research Institute of Music of the Central Conservatory of Music in Beijing. He has served as visiting scholar at St. Antony's College of the University of Oxford, the University of Heidelberg and other leading universities in China and Taiwan. Professor Liu is a devoted European classical music scholar who is the author and editor of twenty-four books on music, two on classical Chinese literature and eleven on translation. He has also written numerous articles and reviews on music, books and culture.
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